Monotony is the most important factor all actors should keep away. It is not that easily possible to wash away with it. One of the finest actors of Kannada cinema Rangayana Raghu is also not away from this question of ‘Monotony’.

With a readymade answer (it appeared) Rangayana Raghu told in the theatre it is common. Master BV Karanth used to advice in making technical alteration when such feelings come. When we staged ‘Mid Summer Night’ and other Shakespeare plays we got this monotony in mind. In delivery of dialogues we started making changes. In cinema monotony is also following factor for an actor. On the spot suggestions made is what giving us some relief says RR.

Rangayan Raghu is a good analyst on the present day making of cinema. We are not coming away from ‘Praaya’. We are doing films for 30, 50, 70 and above age groups he quips. How long the monotony of such films would continue he asks.

We are like the song goes ‘Kurigalu Sir Kurigalu….it has become Nithyotsava for our film makers. Wide thought with variety is not happening in Kannada RR laments.